Tuesday, November 1, 2016


On popular demand, we are extending the call for entries to the 13th Asian Women's Film Festival to 10th November, 2016

The 13th IAWRT Asian Women's Film Festival will take place in New Delhi from 2-4 March, 2017 at the India International Centre. The festival will showcase the works of Asian women Directors living in any part of the world in different genres - animation, non-fiction, short fiction/feature fiction, experimental and student films. 

We seek to screen films that are diverse and creating narratives that reshape the way we imagine cinema to be. Like previous editions of the festival, apart from the general programme that will feature films selected through an open-call entry, there will be some curated sections and seminars. The festival will also feature the fourth edition of Soundphiles. 

Films made between 1st October 2014 - 31st October 2016 are eligible for entry. Please enter the film online to the festival by filling up the google form and submitting it (https://goo.gl/forms/6RkmvXrcEvtp2Rql1) on or before 10th November, 2016. For preview viewing, you can either submit an online link to the film (along with password)  or post two DVD copies to the address mentioned below. The entrant will also need to submit three high quality images from the film, and one photo of the Director. The online link of the film with password and publicity material can be sent to: iawrtindiafilmfestival@gmail.com

 Address for sending preview DVD copies: 
Subasri Krishnan, Festival Director
 IAWRT Asian Women's Film Festival
145, Gautam Nagar, 
New Delhi 110049, India

For further enquiries about the festival, you can write to: iawrtindiafilmfestival@gmail.com
More about the Rules and Regulations about the festival can be found here

Thursday, August 4, 2016

Announcing the 2nd Jai Chandiram Memorial Fellowship

IAWRT India is very happy to announce that the 2nd Jai Chandiram Memorial Fellowship, 2016 has been awarded to Debjani Mukherjee. Her project is titled The Dotted Lines - Bhuri Bai - the Bhil Artist. The jury citation states that her project "goes beyond the issues, concerns and artistic expressions of women located in urban areas, Debjani's project places at its centre, the art and voice of an adivasi artist. A woman who both, documents her own life and dreams through traditional Bhil paintings, while at the same time addressing complex socio-cultural issues in her environment that touch upon gender, child labor, community beliefs, myths, animal sacrifice, social disparity and tensions inherent between village and urban life. Debjani seeks to pull together this broad canvas through an animated documentary film, which makes the project particularly inspirational."

Congratulations Debjani!

Wednesday, August 3, 2016


We are happy to inform you that the Board has selected Ms Subasri Krishnan as the Festival Director for the 13th IAWRT Asian Film Festival to be held on March 2-4,2017.

We are delighted to have Subasri as the Festival Director as she brings with her years of domain experience . She has been attending the IAWRT festivals for the last 8 years and has volunteered in various capacities.

Subasri has loads of experience in film curation and screenings of non-fiction films. She is the curator of the Urban Lens film festival, a festival of non-fiction films that engages around the urban, along with being the founder of the festival. Apart from this, in 2014 she curated a set of films and a panel discussion on films from Sri Lanka for the IAWRT film festival. She is also a part of the  network of filmmakers in Delhi, who organize monthly screening of films called FD Zone Delhi.

Subasri, is keen to build on the good work done by her predecessors and has a clear vision on the way forward without compromising on the spirit and space of the festival. 

Tuesday, July 12, 2016

“Our aim is to keep the flag flying” India Chapter Head, Archana Kapoor

 In my 17 years of affiliation with IAWRT, I had never expected to end up standing for elections. Being elected Managing Trustee was not something I had envisaged for myself. So when eventually that moment came, and I was elected Managing Trustee, IAWRT India Chapter, I must confess that I had no inkling of my responsibilities. The truth began to sink in gradually. There were new names on the Board. Very few of us had worked together, and the annual IAWRT Asian Film Festival was just a few weeks away. IAWRT Asian Film Festival, as we all know, is the most important activity undertaken by the IAWRT India Chapter. I had attended quite a few but had little idea of the sheer amount of work it involved. Thankfully, though, we had a great festival team already in place – Uma Tanuku, as festival director and Aaradhana Kohli as Co-director; Smriti Nevatia, (having experience of curating 5 film festivals), Anupama Chandra and Priyanka Chabra as curators; and Samina Misra and Iram Ghufran (also now Treasurer) as Soundphiles curators. Volume 5, Issue 1 19 We took over in January 2016 and soon began a series of meetings to actualise the takeover process. 

The earlier office bearers, Reena Mohan, Anupama Srinivasan and Uma Tanuku (who was then Treasurer), patiently shared all the information at their disposal. Their constant support and guidance helped us (the new board) gain in confidence and plant our feet on the ground. The festival team was already at work. We began to post on the India chapter blog the list of selected films for the festival. And as we went public, we faced a serious reservation by Palestinians. The Asian Film Festival always has a focus country and screens a special package of films from that particular country. This year’s focus country was Palestine. Believing that the spirit of creativity transcends boundaries and politics, the curators had selected a few films from Israel, too, only to learn that this was a blunder! Our festival director received a mail from Palestine saying that the filmmakers would not participate if Israel were participating, as they could not dream of sharing a platform/space with the enemy country. They were right, in their way. We had reached the end of January and did not have much time left.

 I work in conflict zones and try to create platforms for dialogue and negotiation. I have always been of the view that women should be on the table to discuss peace. We started negotiations with the Palestinians, respecting their fears, politics and concerns. But we also believed in the festival, which celebrated diversity and differences without animosity. We believed that, as women filmmakers and radio producers, we had to stand up for the larger cause of women and their creativity. Our belief was respected when a consensus emerged from the negotiations: the festival would go on as planned, with a slight modification - we would have two venues. So simple! 

Once this was resolved, we needed funds to fly down the Palestinian filmmakers. We approached the UNESCO India office, and Mr Al Amin, the Communications Advisor, was more than forthcoming. He spoke with his colleagues in Ramallah and promptly the approval was granted. UNESCO Ramallah sponsored the travel and stay of two young filmmakers from Palestine, and UNESCO India supported a seminar on Conflict, Gender, and Media. Nupur Basu and I curated this seminar. The Director of UNESCO, India, invited the Palestinians to his office for a meeting. The Palestinian Ambassador to India, despite the visit of a high-level delegation, met and interacted with the filmmakers. I was fortunate to have raised funds to ensure that the festival team did not face any crunch. I was able to get support from Prasar Bharti, the autonomous body that governs the national broadcasting agency, Punjab National Bank,a public sector bank, UNESCO and of course from the old partners - Sangat, Goethe Institute, and India International Center. We also got support for travel of the Korean filmmakers from the Korean Cultural Center.

 I am happy to say that the festival was, of course, a huge success! We screened a total of 46 short and long films, 35 in the general category and 11 in the Voices from Palestine package. We had 25 filmmakers from across Asia staying at the India International Center, the venue of the festival. True to its voluntary spirit the IAWRT members doubled up as moderators, facilitators, audience, technical experts, and organisers. Two of our members, Radha Mishra (now Secretary) from Pune and Mausumi Bhattacharya (a board member) from Santiniketan, got their students to volunteer. 

We organised another seminar on Documenting Feminism in Films in the 80s and 90s. This seminar was initiated and curated by Shikha Jhingan and Uma Chakravarti, members of IAWRT, India chapter. On the last day, when around 100 people, friends of IAWRT, filmmakers, sponsors and members came together to celebrate the success and the closing of the festival, the Gods decided to play spoilsport. It started pouring! So all arrangements that had been Volume 5, Issue 1 20 made in the beautiful lawns went for a toss, and the venue was shifted to a verandah. But the spirit of the IAWRT team is hard to dampen, so the party carried on and nearly all the invitees showed up. From organising inexpensive meals for the audience, to informing students, universities and film enthusiasts, to fundraising, hosting a closing dinner, screening 46 films, organising to pick up and drop 25 filmmakers, hosting two discussions, handling the press, and keeping an audience of over 200 daily for three days, was not an easy job. 

Thanks to the diligence of the IAWRT members, the Board, the endlessly supportive, outgoing Board, the marvelous festival team and an energetic Festival Director, the 12th IAWRT Asian Film Festival was yet another successful event! But we cannot rest on our laurels, can we? This is just the first of many events. This Board’s vision is to increase our activities, to host more small festivals, to help this festival travel all over the country and to other festivals, and to participate in national and international events that share common concerns. Our aim is to keep the flag flying and the spirits of the IAWRT members soaring!
                                                                                                      ( Printed in the IAWRT newsletter)

IAWRT Newsletter

IAWRT Newsletter produced by the new board, elected at the New Delhi Biennial Conference, September 2015


 Paromita Vohra believes that all art follows a process of mixing and remixing data which is sensory, emotional and material to create new narratives, forms and aesthetic experience translates effortlessly into the digital space as well.

Paromita conceptualized Agents of Ishq as part of her interest in honest, open ended conversations about desire, freedom, gender, equality and choice as well as new media. She set up the riveting website,  a multi-media, digital project about love, sex and desire, housed on the internet. And if you haven’t seen it yet, you really truly must to understand how she plays with the digital space

Saturday, July 9, 2016


The India chapter wishes Akhila a very Happy Birthday!
Join her family in the celebration and do watch this film on her life and achievements.


Mausumi delivered a  'Public Talk' on 'Mobile Phone: A new tool to empower rural women in India' on Friday, 10 June 2016 in Colombo at the Auditorium, Department of Information, Ministry of Parliamentary Reforms and Mass Media, Sri Lanka. The talk was based on her post doctoral research supported by the IAWRT-FOKUS, Norway. The session was well attended by ministry officials, Sri Lankan journalists, Mass Communication researchers, students and others. Mr Nalaka Gunawardene, an independent journalist, on behalf of the Department of Government Information, Sri Lanka presided over the session. 

The talk was followed by a lively interactive session, where the audience was keen to ask questions and engage with Mausumi. They also shared their views which helped Mausumi understand the Sri Lankan perspective on the subject. She hopes to use this data to further her research across South Asia.