Wherever we may find ourselves, in these sets
of words,
the main idea behind it, is to bring together a
series of works,
which question and explore each of these
categories,
and by all means stretch them beyond what they
ordinarily come to mean.
In this struggle to define experimental, we
have tried to locate it
in the method or practice of making a film.
Starting a conversation around what
experimental can be
in relation to the methods we use to make
films.
This includes the resources we use, the way we shoot visuals,
This includes the resources we use, the way we shoot visuals,
the way we record sound or the way we edit and
everything else that comes along the way of
making a film.
Traveling. Engaging with actors or non-actors.
Traveling. Engaging with actors or non-actors.
Writing a script or abandoning one already
written.
Exploring, how do these works, then become and remain relevant
Exploring, how do these works, then become and remain relevant
to the world around us and the people who
engage with them.
We invite you to share any piece of work from
your practice
that can be screened as part of this
compilation.
Please send an online preview link of the work to
and we'll be in touch
with you about the screening format
and other technical details.
If you would like to send it via post, following is the address
Priyanka Chhabra
IAWRT Asian Women’s
Film Festival
B-2/71, Azad
Apartments
Sri Aurobindo Marg
New Delhi 110016
India
Mobile (+91)
9717.997.530
If you know of any other filmmaker who's work you feel aligns
with this exploration, we request you to share their contact
or connect us, so as many works as possible can be included
in the programme.
A set of works, will be presented during the annual
IAWRT Asian
Women's Film Festival,
from March 3-5 2015 in New Delhi, India.
Click here for the entry form
